Category Archives: Furniture

Finn Juhl Coffee Table–Design

Finn Juhl coffee table

Finn Juhl’s design features a beveled top suspended above a simple base distinguished by turned, tapered legs.

For my next project I’m jumping out of my usual Arts & Crafts period work several decades to build a Mid-century Modern coffee table by the Danish designer Finn Juhl. Juhl’s table features a beveled top suspended above its base by six dowels. Turned, tapered legs distinguish the rectilinear base.

The coffee table, along with sideboard, is perhaps the signature piece of mid-Century furniture, in much the same way the Morris chair has become emblematic of Arts & Crafts furniture. And Juhl’s table is an intriguing example of the form. He used the floating top elsewhere in his designs, but more often in his chairs, making its appearance as a table top a bit of an aberration. The original was built of teak, but I’m contemplating a version in fir or cherry, depending how closely I want to hew to the original construction, which features a veneered top banded with solid wood edging. If I follow suit, I’ll use some cherry plywood left over from an old project. If I opt for a solid wood top, I’ll be able to use some wide fir boards I picked up when a local sawyer moved shop to Alaska. Of course a solid wood top creates the potential for movement problems with seasonal changes in humidity, but I think there’s enough flex in how the top joins the base to absorb that movement. Continue reading

Book Review: Chris Schwarz’s Campaign Furniture

a Campaign-style bookcase

A traveling bookcase shows the minimalist appeal of the Campaign style.

I’ve been following Chris Schwarz’s writing on campaign furniture on his blog and in his articles for Popular Woodworking with interest, so I’ve been looking forward to the release of Campaign Furniture. It was worth the wait.

Schwarz begins with a brief introduction to the style and surveys the wood and hardware used in building these pieces before moving to the heart of the book, how to build eight campaign pieces: chest, secretary, camp stool, Roorkee chair, trunk, desk, bookshelf, and traveling bookcase. Schwarz has distinguished himself as a proponent of hand-tool techniques, and that shows in how he approaches construction here, but he outlines alternative approaches for building with power tools. And these aren’t merely step-by-step instructions for reproducing exactly these projects; Schwarz provides direction for variation in the final product. This flexibility is especially useful for woodworkers looking to move from replication of existing work to building their own pieces. A collection of historical sources closes book (as a fan of original catalogs as a source of inspiration, I especially enjoyed the excerpts from Army & Navy Co-Operative Society’s catalogs). The book itself is a delightful physical object, printed on quality stock and lavishly illustrated with photos and period artwork. I did wish at times that it had been printed to a larger page size, especially when I had to turn a page to see a photo illustrating text I had a hard time visualizing.

While it’s unlikely I will build a piece of campaign furniture, I still found the book useful for a number of reasons. Schwarz is an engaging writer, and his enthusiasm for the style is evident in his prose. There are construction techniques that I can appropriate building in other styles, and the style provides some useful design solutions for anyone looking for practical, portable furniture (the drop-front drawer serving as a desk, for example, could find application in any chest of drawers, regardless of period, and suggests interesting possibilities for built-ins as well). While it might not be the best place to start for novices, Campaign Furniture is worthwhile for more advanced woodworkers, whether or not they plan on building in the style.

More Information

Read more about Campaign Furniture or purchase it from the publisher here.

Craftsman Hall Mirror–Construction

Craftsman Mirror

Through tenons provide the only ornamentation in this Craftsman-style mirror.

Through tenons join the rails to the stiles of this Craftsman-inspired mirror and provide much of the ornament as well. I began by cutting the rails and stiles to size, then marked the rails for the mortises. I used a straight bit in my plunge router to waste out most of the mortises, then finished up a 1/4″ mortise chisel. I cut the tenons on the tablesaw in multiple passes, then pared them to fit with a rasp and chisel.

With joinery cut, I planed 1/8″ of the rails to vary the thickness of the frame members and bevelled the ends of stiles and rails and routed a rabbet in the back to hold the mirror. Like the hall table it complements, the white oak frame was fumed, then I applied a couple of coats of boiled linseed oil and garnet shellac. I had the mirror cut and bevelled at a local frame shop and put it place in the hall.

Craftsman Hall Mirror–Design

A simple hall mirror in the Craftsman style.

A simple hall mirror in the Craftsman style.

We wanted a mirror for our entry way, something to complement the hall table I’d built. There’s a surprising amount of variation in the form–some even doubling as coat hangers with the addition of hooks to the frames, others incorporating drawers for gloves or wallets–but I opted for a very basic design scaled for the space. Two stiles capture the rails in through tenons, the ends of the rails and stiles extending an inch past each other. The rails are slightly thinner than the stiles to create a little visual interest.

Wright Chairs at the Met

WrightChair2 WrightChair1

The work of Frank Lloyd Wright is well represented in the Metropolitan Museum of Art’s holdings. In addition to fixtures and furniture, an entire room has been re-created. The collection includes these two armchairs in oak. Both designs seem to favor form over function–neither looks especially comfortable, but the sloping back of the one on the left has a slight edge.

Limbert No. 367 bookcase in Woodworker’s Journal

Limbert No. 367 bookcase

Limbert’s No. 367 bookcase in fumed quartersawn white oak.

The April 2014 issue of Woodworker’s Journal features my build of the Limbert No. 367 bookcase (see the issue preview here) in fumed quartersawn white oak. The Charles Limbert company produced a variety of bookcases. The No. 367 strikes a nice balance between design and utility. While it’s not as striking as the No. 355, it features Limbert’s signature cutouts, is easy to build, and, for those needing a lot of book storage, arranges well in multiples.

More Information

  • Buy the issue (via Woodworker’s Journal store)
  • My book includes measured drawings for the No. 367 and 32 other Limbert designs.

No. 220 Settle–Corbels

corbel
The corbel is a common element in Craftsman furniture, providing form and function. A series of corbels supports the wide arms of the No. 220 settle. Five are required for my shortened version: one on each front leg, two on each rear leg, and one centered on the back. While the No. 220’s design allows for simply gluing the corbels to the legs (there’s substantial long grain to long grain exposure for good gluing), I chose to join the corbels to the frame using a 1/4″ tongue in the dado to ensure positioning. When replicating corbels for a reproduction, I don’t try to copy it exactly. Instead, I note major dimensions–the width and height of the corbel–and the general shape of the curve, then approximate the curve using a bezier curve in Illustrator or SketchUp. Once I have a shape I like, I print out and transfer to my template. After cutting close on the bandsaw, I complete final shaping with a spokeshave to ensure a fair curve. With the template ready, I mark the blanks, rough out on the bandsaw, then use a pattern bit in the router to copy the parts.

A Modified L & J. G. Stickley Settle–Design

Stickley Settle

A variation on L & J. G. Stickley’s No. 220. settle. I’ve shortened the length and added a slight arch to the long stretchers.

I’ve admired Leopold and John George Stickley’s “Prairie Style” settle since I first encountered it in Bob Lang’s Shop Drawings for Craftsman Furniture, so my thoughts turned to it when we began to consider replacing some seating in our living room. We needed something shorter, though, so I determined how much space I had, then adapted the Stickley design.  Continue reading

“Building Classic Arts & Crafts Furniture” gets a good review

Hot off the presses--my new book on the Arts and Crafts furniture of Charles Limbert.

Hot off the presses–my new book on the Arts and Crafts furniture of Charles Limbert.

Amidst the distractions of the holidays and the porch build, I neglected to note Chris Schwarz’s favorable review of my book on Limbert furniture at Popularwoodworking.com. He writes:

Author Michael Crow didn’t seek to provide a biography of Limbert’s life. Instead, Crow focused on the construction of 33 of Limbert’s designs. These designs are presented in a manner similar to Bob Lang’s great “Shop Drawings for Craftsman Furniture” books. There is a drawing of the finished piece, plus cutting lists and dimensioned drawings. It is all you need (if you know how to do basic woodworking). Crow wastes no space in telling you how to cut a tenon 33 times.

Read the full review here.

L & J.G. Stickley’s No. 220 Settle

Stickley 220 settle

L & J. G. Stickley’s No. 220 settle from a catalog.

I sometimes wonder whether the Stickley brothers ever gathered as a group in adulthood. I picture them, perhaps sitting down to Thanksgiving dinner, or watching their children open Christmas presents, and imagine the undercurrents and tensions that likely arose when five brothers–Gustav, Leopold, John George, Albert, and Charles–all engaged, in various combinations of partnership, in the same profession with varying degrees of success in New York and Michigan–came together in a single place. Shared meals could have been especially fraught after Gustav’s bankruptcy and short-lived association with Leopold and John George’s company. The latter two brothers built their company on designs in the same style as Gustav’s Craftsman furniture before adapting to changing tastes. While the No. 220 settle shows a Craftsman influence, it is, as Bob Lang observers in Shop Drawings for Craftsman Furniture unlike anything produced by Gustav Stickley. Continue reading